Robert Harris – The Ghost

I did not read The Ghost when it came out. It was one of those ‘in the news’ books where the extent of the blanket coverage sort of puts you off – with so many interviews and the like, it feels you have already read the thing. Also it lacked one of the key elements that made the best of Harris’ thrillers so vivid – their interesting and well-researched historical backgrounds. I got the impression it was written in haste and anger and that’s never really a good thing.

However I have always been kind of curious about the novel and I enjoyed the film version, The Ghost Writer, despite it having a miscast Ewan McGregor in the lead. The film also had a curious, slightly unreal, aspect to it, perhaps because of Germany substituting for the US because the director, Polanksi, is unable to leave Europe. The film also has one of the most blatant examples of product placement I have ever seen – in one sequence, when out hero leaves UK for the States, there is an establishing shot of the airport and a fully liveried and logoed truck belonging to a certain delivery company pulls into and fills the frame, then we have a shot of an aircraft in flight with strong emphasises on the airline’s logo, then we have McGregor asking the stewardess for a certain newspaper by name…. it’s so blatant it’s almost amusing and I can only imagine Polanksi did it like deliberately for some reason.

Anyway, back to the novel – the ‘ghost’ of the title is the book’s nameless protagonist who is drafted in on short notice to ghost-write the autobiography of recently retired Prime Minister Tony Blair, sorry Adam Lang, after the previous ghost drowned. However once the new ghost arrives in Martha’s Vineyard where the PM is staying the death of his previous incumbent in the role soon starts to look like no accident. As the current ghost researches Lang’s history and the work that the previous ghost’s biography did on it, it seems there could be a deadly hidden secret in Lang’s past.

Harris was close to New Labour and the portrayal of Lang is pretty astonishing, going to show just how let down he must have felt over Blair’s actions, particularly over Iraq. Lang is almost a ghost of a character himself, a professional actor before he went into politics, who seems to have no honest convictions and whilst naturally charismatic, not even having a fully defined character of his own, permanently playing a role. His wife, at first seems more sympathetic as she sidelined her own political ambitions to make way for her less talented, committed and intelligent, but more superficially charming and natural politician husband. However she later comes over as a scheming Lady Macbeth type of character and overall is a pretty cruel dig at Cherie Blair (as described in the novel she even looks like her!). There’s also a hugely sympathetic, if slightly naive character, obviously based on Robin Cook as kind of a nod to the charms of honest old Old Labour.

The book seemed actually better than the film – despite being a generally good actor and decent screen presence, McGregor is just not down at heel enough to play the protagonist as presented in the novel. Even knowing most of the plot in advance Harris keeps the interest level high and the laying out of the clues, especially as some revolve around written texts work a lot better in this format. The various in-joke asides regarding publishing are also fun too – something the film did not really have room for – especially on the life of the ghost writer and just how pervasive they are.

So all in all I’d recommend The Ghost, it’s certainly a lot better then The Fear Index I read a short time ago.

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Writing lessons from Alan Moore and Alfred Hitchcock.

A short time ago I watched a long long interview with the Wizard of Northampton himself, the comics writer, Alan Moore. The interview covered a lot of ground but one point in particular stuck with me – have fun while writing. Now it’s kind of inevitable that at some point any project, especially a humungous project like writing a novel, can if you are not careful become a bit of a slog. But I think you have to fight against that. For one thing if it’s a slog for you, then yeah it’s probably going to be a bit of slog for the reader too. You have to make it fun for yourself and not let it become too much like work. Whilst it’s not going to be all ha ha, clowns and giggles fun* all the time I think you have to try and make it interesting for yourself (and of course the reader). Even if you have, say, a bread and butter scene were one character is just passing on a bit of information to another, try and do it in a fun, different and creative way. For instance in a scene from Iain Bank’s recent novel Stonemouth I heard the author read on the radio recently there was a section where all two characters are doing is telling each other what job they do now, but Banks makes it interesting for the readers by shoving in a lot of jokes in the piss-takey way that friends of ten talk to each other which I imagine was just as fun for him to write.

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Iain Banks Stonemouth signing at Waterstones, Nottingham

It was, if not a dark and stormy night, then a dingy and drizzly evening that saw me sitting in the Stillitoe Room at the top of Waterstones in Nottingham. I was surrounded by, I’m guessing, about a hundred other people. We were all awaiting Iain Banks who was scheduled for a reading and signing of his new novel, Stonemouth.

The man himself was a little late in arriving. The guy who gushingly introduced him (who I think was the shop’s manager) apologised to us for keeping him talking in the backroom. He admitted that he felt a bit star struck in Banks’ presence as he was a genuine fan himself and this was the year’s event of the he was most looking forward too. (He also said that the very first event he organised, in an independent bookshop, was for Banks too).

Banks started with a reading from Stonemouth. He explained that if you read from the beginning then you needed to have no introduction… and then to much amusement proceeded to introduce a passage from well into the book set at a wedding which included a great bit on Scottish dancing that went down well.

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Work of Art soundtrack: 6 – I’m Too Sexy by Right Said Fred

When Right Said Fred followed the Nirvana track Cat pulled me over to one side of the room.
‘I’m too sexy for this party!’ She said, loud over the music.

From Work of Art

So I wanted to include a song that you might hear at a party at the beginning of the 90s, that was a bit naff, a bit cheesy, a bit of a floor clearer, even back then and this fit the bill entirely. I once saw it listed as one of the worse songs ever which I think is a little unfair… I think it’s aged rather well, though some of the ‘singing’ does leave a bit to be desired.

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Breaking Bad

Breaking Bad

Some time ago I tried watching Breaking Bad. I had heard of the show for a while and that it was pretty good- good enough in fact to put it up with some of the other great shows that have come out of America in recent years like The Wire and The Sopranos. But the first time I tried to watch the show I could not even make it to the end of the first episode. Breaking Bad is the story of Walter White, a put-upon high Albuquerque school chemistry teacher. He has to stretch his salary with a humiliating second job at a car wash and his wife will soon give birth to a new child. Then he finds out he has terminal cancer… and that’s when I checked out. I just could not get into it. However I kept hearing how good the program was and eventually I persuaded myself to give Breaking Bad another chance and I was glad that I did. It’s a pity I did not watch to the end of the episode because almost immediately after getting the bad news Walt starts fighting back and I was very much enjoying it by the end, helped by some black humour kicking in to leaven the dark subject matter. Via his DEA brother-in-law Hank, Walter sees how much money there is in crystal meth. Then on a drive along to a meth lab Walter sees one of his former pupils, Jessie Pinkman fleeing the scene. Walter realises he has the skills to make a superior version of meth to what is already out there and via Jessie, access into the underworld in order to sell it. He assumes he’ll be able to quickly get hold of enough cash to pay his medical bills and leave a legacy for his family. Well, that’s the idea, but not everything goes to plan…

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Interviews

Had a couple of interviews recently

Interview with John Black, author of “Work of Art”

10 Questions with Writer John Black

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How we made … Ebeneezer Goode by the Shamen

How we made … Ebeneezer Goode by the Shamen

See also my previous post on the subject

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Work of Art soundtrack: 5 – Smells Like Teen Spirit by Nirvana

Then when ‘Smells Like Teen Spirit’ came on after, several people joined us to dance and I felt much better. I let myself go, throwing myself into the music.

There was an empty glass in front of her. Next to the fruit bowl was a half-filled bottle of vodka. Two ice trays from the freezer were sitting in pools of liquid. One was on empty; the other had a few shrunken cubes left floating in melt-water. The stereo was on low – Nirvana, ‘Nevermind’.

From Work of Art

So if you are going to write a novel set in the nineties and include music from that decade then you really have to include, what in my honest opinion was the biggest band around at the time – Nirvana. Luckily, what was probably their biggest single is one that I really rate ‘Smells Like Teen Spirit’. In fact it was so big and I rate it so much that I included the track twice – well inside the whole album Nevermind the second time around to avoid too obvious a repetition and be a little bit arty.

I hope this is not too hyperbolic, but Kurt Cobain was our Elvis. Though I can’t remember exactly where I was when I heard he had died. However I do remember going down to what was my local pub at the time that night. It was a popular grungy studenty type of place that you don’t see so much of now and the jukebox was filled with records that had been supplied by the regulars. There was an eclectic mix, taking in, from what I remember, Sid Vicious, Alice Cooper and The Smiths and of course there was a lot of Nirvana. And that night it was played almost non-stop and there was a general feeling of disbelief. Kurt had just joined the 27 Club – the roll call of musician who had died at that age – starting when Brian Jones, Jimi Hendrix, Janis Joplin and Jim Morrison had all died within a few short years. And unfortunately it’s still taking in members – Amy Winehouse, just last year.

Grunge for me, was never a big thing overall… During it’s peak I was kind of coasting along listening to older stuff and did not really take a deep interest in the then current music until the Madchester and Britpop really took off. However Nirvana seemed to have something different. They seemed to stand out from the rest that all sounded too muddy for me. And ‘Smells Like Teen Spirit’ was really special. Perhaps because it was a pop song.
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Tumblr

I’ve created a mew tumblr as a place to store links to interesting things I’ve seen on the web that I having been dropping into my twitter feed. http://johnblackwriter.tumblr.com/

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Some thoughts on ebooks

Just recently, many of the roofs of the houses near where I live have suddenly seem to have become covered with solar panels – I think they are trying to beat the drop in subsidy. Lots of people are grumbling about them, saying they make the houses look ugly. I bet they were saying the same thing when satellite dishes suddenly started sprouting from the same houses at the end of the eighties. But we will soon get used to them and they will soon become unremarked upon features of the urban landscape.

It’s easy to complain about change. I remember when CDs were starting to become popular a DJ complaining about how soulless they were compared to LPs. That every LP had its own character due to the scratches it would pick up over time (he even produced an album someone had produced with sandpaper on the inside of the sleeve to produce extra scratchiness!). Now I kind of understand what he was getting at but I’ll still take the perfection of ‘soulless’ digital over actual flaws any day. Plus all the other advantages like being able to listen to a whole album in one go or just an individual track if you want. However you have to admit that LPs had better cover designs if only from being much bigger.

My own record collection has long been ebayed away and I’ve not bought an actual CD in years. Like just about everyone else now I consume music purely digitally via the internet. And the experience is quite different. Now you can pick or choose from the whole of music history it’s more like a favourite radio station. Gone are the days of obsessively playing the same CD over and over again because they just cost so much, until you knew every second of every track.

A very similar thing happened with film – going from videos to DVD to Blue-Ray (which I’ve kind of not bothered with) to the future, which looks like being digital streaming of some sort. Videos had their individual flaws too – I remember the glitches on my tape of Aliens so well that when I got the DVD I kind of missed them. But I’d much rather had the reliably of DVDs (and all their extras on the decent ones).

I think less people moaned about the passing of video but there seems a lot of concern for the coming of ebooks.

Now books never really suffered from the same problems as LPs or videos did. You can scratch a book and it’s still readable. But Kindles are a magic device – you have what is essentially a cashpoint plus an infinite bookshop at the end of your arm – and that convenience a killer advantage. Years ago if I wanted a book (or LP or video) I’d have to go into town, or more likely a near by city. If it was anyway out of the mainstream I’d probably have to order it and it would take weeks to arrive, if at all. Then Amazon came and it meant that just about anything could arrive on my door in a few days. Now the kindle cuts it to nothing. It’s basically crack for bibliophiles.

Kindle kills the individuality of books – not only the bent or yellowing pages or the traces and smears of spilt cigarette ash from back when I used to smoke (or those mysterious big brown stains in library books where you hope it was just a nose bleed…) but the differences in interior design and typefaces. And it’s not really clear if you actually ‘own’ a book on the kindle. But I think the advantages far out way the disadvantages. The saving in space is a big one and the price of the device will soon drop to near zero.

However I don’t think we’ll see the total death of the book just yet. There’s still a large amount of book readers who will not even have a computer or be online. And even the ones that are, not all of them will want to switch over. Plus there will always be a hardcore of serious book collectors and people who will want something signed by the authors. People will still like to buy them as presents – all those celeb memoirs and celeb chef cookery books that get bought at Christmas (and end up in the charity shops come the spring) are not going to go away immediately.

I think unlike LPs or videos when it’s only a hardcore of collectors (or DJs in the case of records) that are interested, we will end up with a situation more like when theatre and music hall / vaudeville was replaced by cinema. There still are theatres, but unlike in years gone by when people went twice a week now they go a couple of times a year, if at all. A similar thing happened with television and cinema.

I can see hardbacks sticking around for gift giving and collectors and libraries but probably less than there are now. But I see paperbacks dying back to maybe a rump of bestsellers. And bookshops? That’s another story (and blogpost)

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